Post-Unhomely in the Oncoming Virulent Amalgamation (2018) is a series of work that analyzes and reforms the parallel histories of hoarding , modernist and postmodern notions of sculpture and Installation and neoliberalism and their various states of convergence. This is cross referenced with the legal dilemma of hoarding as a condemnable offense and the state of a hoarding as a legally classified mental illness as of the DSM V. With these complications Hoarding is presented as a symptom/apex and the “body” of late capitalism via a singularity/Body horror of objects, and the end of folk art. Hoarding sites are visible through virtual reality reprocessing of sites of actual hoarding, 3D prints of the virtual hoard, photography, drawings video, and a performance lecture demonstrating the compression of time that is a hoard site.