Mechanized & Manufactured Interiors: Hoarder’s Folly (2008-2???) (2024) a continuation on the history of removal in conceptualism and the Hoard. Objects from the house of a closer personal contact (X) afflicted by hoarding collaborated on a series of works. Curatorial Calcination I-XII (2024) focused on permanetnly fusing objects selected by X and Tofighi in the style of works in the canon of Utopian and appropriation art as well as various alchemical processes.
Post-Unhomely: TPL RDG DRV (entrance) &
Post-Unhomely: TPL RDG DRV (sliding door) both 2018, depict two large format print of the house blown out to invert the notion of clarity as they fade the closer one gets.
The house is abstracted again as a three dimensional interior scan of the living room is 3d printed as TPL RDG DRV (Stalagmitically Reprocessed) (2018) alongside the Bottle Room of Grandma Prisbrey’s Bottle Village as GRNDM PRSBR BTTL VLLG (Stalagmitically Reprocessed) (2024). as imploded abstractions, they unite in material, and desired outcomes, one a refuge for objects, and the other a refuge of objects, longing to shift.